Santiago de Compostela’s Cidade da Cultura: Fab or Flop?

When you think of Santiago de Compostela, you usually think of moody Romanesque architecture, over-the-top gilded Baroque churches, and charming homes with glassed-in balconies and overhanging arches. So it might come as a surprise that the city is actually home to a huge project of contemporary architecture built on Monte Gaiás, a hill to the southeast of the city center. Called the Cidade da Cultura de Galicia or “City of Culture of Galicia,” it’s an ambitious arts and cultural center designed by the New York architect Peter Eisenman and constructed between 2001 and 2011.

Cidade da Cultura, Santiago de Compostela, Spain
Cidade da Cultura
The Cidade currently consists of the following four buildings:

* Arquivo de Galicia: the “Archives of Galicia,” which stores the archives of newspapers and publications in Galicia
* Biblioteca de Galicia: the “Library of Galicia,” which is a repository of all books published in the Galician language or dealing with Galicia in other languages
* Museo de Galicia: the “Museum of Galicia,” which is supposed to house a museum dedicated to the history and heritage of the region of Galicia but right now only has temporary exhibitions
* Servizos Centrais: the “Central Services,” or the facilities management and administration building

Two buildings have yet to be constructed:

* Centro da Música e das Artes Escénicas: the “Music and Performing Arts Center,” essentially an opera house
* Centro de Arte Internacional: the “International Art Center,” a contemporary art museum dedicated to Latin American and European art

You can’t miss the Cidade’s distinct, swooping visage, which is visible from the train station and much of the ensanche or new part of town.

Modern architecture

Cidade da Cultura, Santiago de Compostela, Spain
Cidade da Cultura
The whole complex is rich in symbolism. You immediately notice the lack of right angles as all four buildings are sculpted to look like waves, waves of the Atlantic Ocean half an hour away on the coast. The Cidade’s footprint is nearly the same size and shape as that of Santiago’s zona vella or historic old town. And the crevices or pathways between each building recall the grooves on a scallop shell, the symbol of the Camino de Santiago.

Cidade da Cultura, Santiago de Compostela, Spain
Cidade da Cultura
No two windows here are alike; they had to be individually fabricated and brought here (something that caused the budget to grow out of control). And, curiously, they used Brazilian split quartzite for walkways and roofing tiles instead of the granite that is native to Galicia.

Temporary exhibitions & concerts

Cidade da Cultura, Santiago de Compostela, Spain
Flywaterbags installation by Ana Soler
About once or twice a year the Cidade hosts temporary exhibitions dedicated to a central theme. When I first arrived in town last year there was one going on about the Orinoco River and the indigenous South Americans who live around it, and near the end of this past school year the Auga Doce or “Fresh Water” exhibit brought together paintings on loan from various museums as well as an examination of how cultures around the world—Galicia in particular—have lived off of the river.

Cidade da Cultura, Santiago de Compostela, Spain
And last fall I even went to a concert for Milladoiro, one of the most famous bands from Galicia. It was kind of awkward because the “concert hall” was merely a large empty space at the end of one of the buildings, but I really enjoyed getting to experience traditional Galician bagpipes, flutes, and singing. The Icelandic pop superstar Björk even performed at the Cidade in June of 2012!

Stalled construction

Cidade da Cultura, Santiago de Compostela, Spain
Hole in the ground
Groundbreaking on the project began during the boom of Spain’s housing bubble in the 2000s but it still wasn’t finished when la crisis (the economic crisis) hit at the end of the decade. Only four of the planned six buildings have been finished, and to make matters worse the original budget of around 100 million euros reached four times that amount. Yet the two keystone elements of the Cidade—the opera house and the art museum—have been canceled for the time being, leaving the City of Culture effectively culture-less. Those two buildings are huge, gaping holes in the ground and make for an awkward elephant in the room when visiting the area.

Cidade da Cultura, Santiago de Compostela, Spain
Empty halls
The Cidade, therefore, has been hugely controversial among Galicians, not only because some describe it as a “bottomless pit” for government funds or a “graveyard for money,” but also because it’s simply an extravagance, especially for a city of 100,000 people on a good day. Other Spanish economic powerhouses such as Bilbao and Valencia got their own contemporary monuments around ten years ago, so it kind of seems like Santiago is playing a “me-too” game that turned out to be a huge waste of funds once the crisis hit and things like education and unemployment assistance went on the chopping block instead.

How to get there

The Cidade da Cultura is situated on a hill a 45-minute hike southeast of the cathedral, so it’s in an awkward place if you don’t have a car (especially when it’s raining). However, city bus #9 runs here once every hour, with bus #C11 picking up on reduced hours Saturday afternoons, Sundays, and holidays.

Cidade da Cultura, Santiago de Compostela, Spain
Cathedral in the distance
What do you think? A cool project of contemporary architecture worth finishing or a money drain that should never have been started? Comment below!

For more pictures, check out my album on Flickr.

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