Nevertheless, everyone is born with the ability to make all the sounds in every human language, from the clicks of the Khoi-San languages to the rounded vowels of French. But infants, mere months out of the womb, begin trying to figure out what sounds belong to the language they’re hearing…and discard the ones they don’t hear. Even at the age of six months, babies have already made serious progress in determining the phonemic system of their new mother tongue, focusing on the sounds they’re hearing and forgetting (most) all the rest.
Of course, many native English-speaking children are still able to roll their Rs despite not being Scottish (ahem), but if you were anything like me, all you could do was blow raspberries with your lips—no such luck with trilling your tongue.
However, once I began seriously studying Spanish in college, I set my heart on learning (re-learning?) how to roll my Rs. Two years of practice later, and a lively, strong trilled R rolled out of my mouth one cold December night. It is still one of the happiest days of my life; I had finally figured out how to roll my Rs!!!
If you’re still struggling to get to that point, read through these tips and suggestions below. I hope they help you in your quest to sound more native than gringo or guiri in your Spanish accent!
1) Understand what a trill isThis is just the technical stuff, but it helps to know what exactly is going on before you attempt to learn this sound. Wikipedia describes an alveolar trill in simple, easy-to-understand English:
The sound of this consonant is formed by placing the tip of your tongue against the ridge just behind the top row of your teeth. This is what is meant by “alveolar.” The sound is then made by vibrating your tongue against that ridge. This makes it a trill consonant.So, to sum up: the rolled R is alveolar—meaning it’s produced in the same place you would make the T, D, S, Z, N, and L sounds—and a trill—meaning it’s like that repeated sound you make when imitating a motorcycle or when you gargle mouthwash in the back of your throat.
2) Substitute a breathy/airy flap to make a bridge between the flap and the trillIf you make a transition zone between the tapped R that you can make and the rolled R you can’t, you might be able to trick your tongue into inadvertently going full speed ahead and trilling that R. Practice saying “rhrhrhrhrhrhrhrhrhrhr” over and over again (alone, so people don’t think you're strange). The extra breath you’re giving to your flapped R might just tip you into the Land of Rolled Rs.
3) Listen to other people make the soundIf you have friends who do know how to trill, ask them to demonstrate it for you so you can “take notes,” if you will. Plus, simply hearing other people doing it live will subconsciously help you mimic the sound, giving you a little more edge to get over the rolling-the-R bar.
If you don’t know anyone who can roll their Rs (or think it would be weird), listen to Peruvian singer Susana Baca belt ‘em out in her song “Resbalosas.” There’s a particularly mournful part of the song near the end where Baca drags out the word cierra that really helped me to hear the rolled R. Your mileage may vary, but it worked for me.
4) Make two flaps in a rowThis method can get a little tiring after a while, but if you attempt to do two tapped Rs in a row (remember, it’s that sound Americans make for the TT sound in butter), you’re basically 75% of the way there. If you keep it up, you might accidentally stumble upon a rolled R! It’s not for nothing that a rolled R is called a vibrante múltiple in Spanish linguistics; if you can approximate a trill with a series of flaps, in no time you’ll be doing the real deal!
5) Move your tongue backFor me personally, I make my best RRs if my tongue is farther back in my mouth. Too close to my teeth, and tierra sounds more like tiezha, but a little further back (near that “alveolar ridge” right before the roof of your mouth rises up) and it’s perfect. Play around to see what fits you best; as long as you can end up rolling the R, it’s not too important to have the tip of your tongue in one exact location.
6) Move your jaw aroundWhen I was first getting used to this new sound my mouth could create, I had trouble making it unless I moved my jaw to the right. This might be because my face isn’t perfectly symmetrical (one of my ears is lower than the other…whomp whomp) but for all I know, moving my jaw side to side or forward and back helps those rolled Rs to, uh, roll along. I recommend taking a look at this super-helpful website where you can listen to native speakers make all the sounds in the Spanish language, complete with videos so you can see how to position your jaw correctly.
7) Release your inhibitionsI don’t know if this just a problem I have, but when I was still learning how to roll my Rs, I had trouble doing it unless I was by myself in my room or driving in the car. (Kind of like how I can’t sing solos but I can sing in a choir…whatever.) If you’re more extroverted or don’t have stage fright, walk around saying hrhrhrhrhrhrhr all you want, but you’ll feel more relaxed and able if you go for a drive or find a quiet place.
8) Support it with voiceI can make both the typical voiced trill and Icelandic-style voiceless one, but it’s a lot easier to make the rolled R sound if you support it with voice. So speak up, it will help!
9) Support it with your diaphragmLike #8, support your attempts to roll your R with your diaphragm. By this, I mean when you practice saying names like Fuencarral, Tarragona, or Ferrol, suck in your stomach to raise your diaphragm muscle, which will help push more air out and make it easier to trill that R. (Props to my high school choir teacher for teaching me this singing tip, which oddly helps in speaking Spanish.)
10) Focus on getting it between vowels firstWhen you’re first learning the rolled R, it’s most difficult to make the sound on its own, independent from a word or syllable. Then comes the initial position; in Spanish, Rs at the starts of words are rolled so don’t stress about those at the beginning. Focus on practicing the trill in the intervocalic position; i.e., when it appears between two vowels. Intervocalic Rs are easiest, for me at least, between one or two As, so words like arranca, arrabal, arrecife, arroz, etc., might be better to practice on than irreducible, for example.
Be persistent! I can’t repeat it enough that it took me two years of college to finally learn how to roll my Rs in Spanish. Remember that, unless you have an actual disability with your tongue, you can physically make the sound…you just have to trick your body into doing it, and once you’ve gotten past that initial time, the muscle memory will stick with you like riding a bike. Good luck!
What tips have you found most helpful in figuring out how to trill your Rs in Spanish? Add them to the discussion below!